Absurdism Free Essays

1 This postulation has been affirmed by The Honors Tutorial College and the School of Theater Dr. William F. Condee Director of Studies, Theater Tutorial Program Thesis Advisor Dr. We will compose a custom paper test on Absurdism or on the other hand any comparable theme just for you Request Now Angela Ahlgren Visiting Assistant Professor Thesis Advisor Jeremy Webster Dean, Honors Tutorial College 2 HAPPY DAYS: A MODERN WOMAN’S APPROACH TO ABSURDISM THROUGH FEMINIST THEATER THEORY A Thesis Presented to The Honors Tutorial College Ohio University In Partial Fulfillment Of the Requirements for Graduation From The Honors Tutorial College With the level of Bachelor of Fine Arts in Theater By: Rachel Collins 3 Table Of Contents Introduction †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦4 On Absurdism†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 6 On Beckett†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 10 Happy Days Production History†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 16 Feminist Theater†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã ¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦18 Beckett and Gender (Happy Days)†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 23 Happy Days in Performance: A Feminist Perspective (Process)†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 34 Happy Days in Performance: Reflection†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 40 Conclusion†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦48 Annotated Bibliography†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 52 Creative Supplementary Materials†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ †¦Ã¢â‚¬ ¦59 Happy Days Rehearsal Notes†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. †¦Ã¢â‚¬ ¦ †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 59 Happy Days Rehearsal Script†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦74 Happy Days Program and Event Flier†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ 92 Happy Days Production Photos†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 94 4 Introduction This proposition inspects the character of Winnie in Samuel Beckett’s Happy Days through execution and the focal point of women's a ctivist hypothesis and scrutinize. In the wake of the Second World War, various craftsmen in Europe endeavored to discover importance in what some viewed as a good for nothing world. The war had desolated Europe, and it was hard to track down expectation over the mainland. Numerous specialists during this time were worried about existentialist thoughts. These new social builds drove playwrights to explore different avenues regarding new structures, which managed these existentialist ways of thinking through a sensational medium. These structures explored different avenues regarding language, de-railed direct plotlines, and put characters in odd circumstances. Martin Esslin, the producerjournalist turned researcher, instituted the adage â€Å"the Theater of the Absurd† in his book of a similar title. One of the significant authors of this new type of show was Samuel Beckett. Since Beckett’s plays started to be acted in the 1950’s, theater pundits have commonly seen exhibitions of Beckett’s works through the viewpoint of existentialism, and his style incited numerous to think of him as an absurdist. Absurdist speculations had the option to outline the sensational works for that time, however as the social develops of Western culture, particularly those concerning ladies, have changed, so has emotional analysis of ladies. As 50 years has gone since the underlying composition of Beckett’s plays, it is imperative to think about them, particularly those with solid female characters, through a cutting edge women's activist scrutinize. Beckett’s composing occurred during the second women’s development. The Second World War had changed people’s sees on ethical quality, and society had to 5 reclassify its principles. Prior to the First World War, class structure in Europe was unbendingly characterized. Individuals â€Å"knew their place† and the hole between the rich and the poor was nearly un-crossable. The war made open doors for the lower class to progress in social position, however once it was finished, society endeavored to come back to its pre-War structure. This cycle happened again after the Second World War. During the war, abused people groups in Europe were permitted to do things that they hadn’t had the option to beforehand, however once it was over they were relied upon to come back to their place in the public arena. In Europe these individuals, including racial and strict minorities, the common laborers, and ladies, were tired of these limitations. Ladies specifically endeavored to acquire uniformity in the activity advertise and different scenes. Beckett was in the intriguing situation of composing with regards to the middle of this social upheaval. From numerous points of view, he was extremely acquainted with the old world and conventions, where women’s place in the public arena was docile to her significant other. Be that as it may, he was likewise anticipating what the future could bring. His work from various perspectives foreseen the second women’s development. Beckett’s early sensational works are loaded up with male characters. Every one of these men is endeavoring to answer the most fundamental of life’s questions: Who are we and what are we doing here? In any case, it was not until 1961 with Happy Days that he gave the phase over totally to the voice of a lady. In Waiting for Godot, Endgame, and Krapp’s Last Tape, ladies were not given a solid voice on the stage’s playing space. With Happy Days and the character of Winnie, Beckett gave ladies a voice in his work. Generally, Happy Days has been seen through an existentialist focal point, much similarly that Beckett’s different works are 6 seen. This investigation, notwithstanding, endeavors to re-outline Happy Days through another arrangement of academic assessments: the thoughts of women's activist hypothesis and showy execution. Through insightful research and execution of the piece, I took a gander at this significant work from another point of view. In the twenty-first century, an entertainer can't move toward the part with a similar foundation as a lady assuming the job in the mid 1960’s. While it is critical to take a gander at plays inside the verifiable setting and convention in which they were initially played out, this view restricts the entertainer. On the off chance that one was to just glance at a bit of work generally and not decipher it utilizing present day draws near, theater would, I accept, in the end become stale and not, at this point applicable to the world other than from a chronicled historical center. Upbeat Days needs another assessment. The time has come to inspect it through the eyes of an advanced lady, since that is the individual who will play out this job today. On Absurdism was a deviation from customary French theater yet not still, small voice development in itself. Toward the start of the twentieth century the cutting edge development was viewed in a similar vein as the symbolists of the late nineteenth century: their specialty was endeavoring to accomplish similar outcomes. Symbolists were responding against the naturalist and pragmatist types of craftsmanship and accepted that the best way to speak to reality and significance of life was to do it in a roundabout way, rather than through careful impersonation of the real world. A great part of the world was attempting to recuperate after two enormous scope wars. During the late 1940’s and the 1950’s, the French were keen on taking a gander at the past for motivation for their show. Fantasies, legends, and images were basically 7 utilized as topic. Specific accentuation was put on the structure of language, for â€Å"the ‘poetic avant-garde’ represent[ed] an alternate state of mind; it is increasingly expressive, and far less brutal and grotesque† than the auditorium of the foolish (Esslin 25). Creations handled the secret of dreams and want through customary emotional shows. Paris, which has been the support of various new aesthetic developments, was the origination for new ways of thinking, and the vanguard of Paris dramatization â€Å" is this piece of the ‘anti-literary’ development within recent memory, which has discovered its demeanor in conceptual artistic creation, with its dismissal of ‘literary’ components in pictures; or in the ‘new novel’ in France, with its dependence on the depiction of articles and its dismissal of compassion and anthropomorphism† (Esslin 26). Theater specialists understood this was a significant progression for their artistic expression also, and started to try different things with these structures through sensational builds. Esslin pick the word â€Å"absurd† to portray these plays dependent on the word’s definition, which implies â€